From the category archives:

Call for Papers

CFP: Female Fantasy Hero

by Dr Davis on April 4, 2013

Call for Chapters: Edited Collection on The Female Hero in Modern Fantasy
full name / name of organization:
Lori M. Campbell, University of Pittsburgh
contact email:
[email protected]
I warmly invite proposals for a collection of essays exploring the female hero as a distinct character type in modern fantasy, covering works published from the 1950s through the present. Although this study will focus on literature and film adaptations, interdisciplinary approaches are welcome and encouraged.

This collection is under contract with McFarland and Company with publication scheduled for summer 2014.

This study aims to provide a multifaceted and thorough look at an important character type in fantasy that only begins to demonstrate significant empowerment in the latter twentieth century. Authors will explore the nuances and implications of female heroism with a goal to contribute to the further evolution of the character type as well as to the critical study of fantasy. Authors will focus on characters that exemplify female heroism to its most admirable extent, or on characters who demonstrate problematic, nontraditional, or varying degrees of heroism. A major concern of this work will be the notion of power itself, as it is claimed or used by the female hero, as well as in how it is represented by and around her, and the ways in which her stories reflect contemporary notions of power/powerlessness for women, men, and society in general both within and outside the text.

This collection defines “modern fantasy” to include a variety of subcategories, including fairy tale, dark fantasy, science fantasy, children’s literature, the gothic, high and low fantasy, and magical realism. Likewise, “hero” has myriad meanings; we will work from a broad understanding of one who is not simply a protagonist but who risks her own well-being to benefit the greater good.

The book will be divided into sections each focusing on a type of female hero, broadly defined. These topics may be adjusted depending upon the essays that are accepted for publication.

I. Pathfinders: Empowered Women of Medieval Romance and
Fairy Tale

This first grouping of essays creates a foundation for the rest of the book by focusing on characters who demonstrate degrees of heroism in their efforts to defy certain female stereotypes in medieval romance and fairy tale, the predecessors to modern fantasy. Submissions are also welcome for the concluding chapter of this section which will focus on J.R.R. Tolkien, who in addition to being a scholar and fan of these earlier genres, is commonly viewed as the primary architect of modern fantasy in his publication of The Lord of the Rings in 1954.

II. Underestimated Overachievers: Unlikely Female Heroes

This section of essays will discuss the unlikely female hero, her efforts toward overcoming her unlikeliness; and the relation between these efforts and those of real-world women and girls to turn oppression into power.

III. Show Stealers: Female Sidekicks

This section focuses on those female helper characters who become heroes in their own right, often overshadowing her male counterparts in the process.

IV. Unwilling Do-gooders: Female Villains and Villain-Heroes

Villainy connotes a form of power and provides an important site of exploration for fully positioning the female hero in modern fantasy. The essays in this section might explore various power imbalances in society that turn goodness to evil, thus exposing a heroic underside to the female villain. Such characters often end up acting heroically despite their evil intentions.

Chapters may focus on single or multiple authors and texts/series. Possible topics could cover texts by authors including but not limited to:

Suzanne Collins
Susan Cooper
Roald Dahl
Diane Duane
Neil Gaiman
Robin Hobb
Diana Wynne Jones
Tanith Lee
Ursula Le Guin
Madeleine L’Engle
C. S. Lewis
George R.R. Martin
Anne McCaffrey
Robin McKinley
Stephenie Meyer
Tamora Pierce
Terry Pratchett
Philip Pullman
J.K. Rowling
Jonathan Stroud
Laini Taylor
Scott Westerfield
Jane Yolen

Submit a 2-page proposal (or a full-length essay if available) and a short biography as Word documents to Lori Campbell via email:[email protected] or [email protected]
Queries are welcome at either address.

The deadline for proposal submissions is May 10, 2013

All submissions must be original and previously unpublished. Please note that being invited to submit a full-length essay based on the proposal does not guarantee inclusion in the final publication. Based on the initial submissions, selected contributor candidates will be requested to submit their full-length essays of 7,000-12,000 words in MLA format. The editor will make all final decisions regarding publication on the merit of the full-length essays.

If your proposal is selected, your first draft of the full-length essay will be due by August 1, 2013.

About the Editor:
Lori M. Campbell, Ph.D. is a lecturer in the Department of English and Film Studies Program at University of Pittsburgh, specializing in fantasy, myth and folktale, children’s literature, and the gothic. Her book, Portals of Power: Magical Agency and Transformation in Literary Fantasy, was published by McFarland and Company in 2010. Her other publications include articles on J.R.R. Tolkien, J.K. Rowling, Frances Hodgson Burnett, J.M. Barrie, and Thomas Hardy, as well as introductions to new Barnes and Noble editions of classics by J.M. Barrie, Charlotte Perkins Gilman, and the Brothers Grimm.

from: http://call-for-papers.sas.upenn.edu/node/50992

{ 0 comments }

CFP: Dr. Who and Words

by Dr Davis on March 31, 2013

Doctor Who and the Written Word
full name / name of organization:
Jason Barr
contact email:
[email protected]
As he flies through all of space and time in his TARDIS, the Doctor—all eleven incarnations of him—has long wrestled with issues of textuality, language, and linguistics. The Doctor has been surrounded by the nuances of language and literature, from the second, tenth, and eleventh Doctors frantically flipping through his 500-year diary to the seventh Doctor’s full embrace of the question mark as his calling card,

Of course, the show has spawned a wide series of novelizations, fanzines, magazines, comic books, and adaptations as well. As fans have sought to interact with Doctor Who, they, too, have created a world filled with the intersections of language, literature, and meaning.

Doctor Who and the Written Word, a forthcoming anthology, could be one of the first academic texts focused on Doctor Who.

Articles may focus thematically on the entire run of the show, on one Doctor, or a single episode.

Some potential topics include:

literary characters/representation
words as binding agents
Gallifreyean symbols and symbolism
physical texts as power sources
the Doctor as a literary source/inspiration
the “meaning” of the Doctor’s “name”
fan publications, especially during the “dry years” of 1989-1995 to 1997-2005
the Doctor Who Magazine and “professional” fandom
the Target novelizations deepening the backstory of Who
Doctor Who original novels

Although we realize that many academics new to Doctor Who may have background only in the “nuWho” era (launched in 2005), we prefer to craft a collection of essays that represents the entire fifty-year range of the show. Essays focusing on the Doctor’s adventures as played by Colin Baker, Sylvester McCoy, and Paul McGann are appreciated.

Articles should be from 4,000 to 7,500 words long.

This collection is already contracted by Scarecrow Press.

Formal proposals of no more than 500 words should be sent to [email protected] by May 25, 2013

from http://call-for-papers.sas.upenn.edu/node/50987

{ 0 comments }

CFP: MLA 21st C Pedagogies

by Dr Davis on March 1, 2013

[UPDATE] “21st Century Pedagogies” — MLA2014 Chicago (Jan 9-12)
full name / name of organization:
Stacey Lee Donohue/Modern Language Association
contact email:
[email protected]
Brief presentations that explore alternative teaching approaches, innovative pedagogy, and English or Foreign language classroom best practices departing from the traditional instructional model.

[This is a guaranteed session sponsored by the Two Year College Discussion Group: all are invited to submit abstracts.]

Please submit 250 word abstracts by 15 March 2013 to Stacey Donohue [email protected]

from UPenn

{ 1 comment }

CFPs: Some Very Busy Folks

by Dr Davis on February 28, 2013

WomanDrowning in Paperwork employers-rx dot comI was searching for publication CFPs (not that I have time to write anything) and I found a whole series of fascinating ones. After I had posted a few here at TCE–just in case I do come up with some extra time–I noticed that most of them were from two individuals: together, separately, or with someone else.

I could NOT edit ten books at once. I am guessing they don’t have contracts for all those but do have interest in doing the work.

I will probably look at one or two of them and see if I can make time.

But really? Who can do multiples of these?

{ 0 comments }

CFP: Monsters (DUE SOON)

by Dr Davis on February 28, 2013

Monsters and the Monstrous Journal.
John_Martin_-_Pandemonium_1841 Paradise Lost WC pd
Volume 3, Number 1, Themed Issue on Monstrous Spaces/ Spaces of Monstrosity
This issue is concentrating on spaces that are considered monstrous or are themselves capable of producing monstrosity. these spaces can be actual or authored, real or imaginary. Spaces of violence and murder, social taboo, ideological excess and human depravity from the past, present or future. Equally spaces natural or supernatural, earth found or star bound that produce, spawn or inevitably return to monstrosity in all its many human, cultural and temporal forms

The Editors welcome contributions to the journal in the form of articles, reviews, reports, art and/or visual pieces and other forms of submission on the following or related themes:

● Monstrous Landscapes of Conflict: Genocide, battle zones, imprisonment, execution, torture
● Monstrous Environments: Biological experimentation, nuclear fallout, GM crops
● Monstrous Temporalities: Other dimensions, spirit worlds, mythical places
● Monstrous Cosmographies: Outer Space, Alien worlds, Terra Incognita, space craft, parallel universes
● Monstrous Religious Spaces: Hell, Hades, Purgatory, Heaven, Nirvana, Valhalla, Samsara, Paradise
● Monstrous Ideological Spaces: Society, Politics, Difference, Gender, Colonial, Post Colonial, Disabilities

Submissions for this Issue are required by Friday 8th March 2013 at the latest.
Contributions to the journal should be original and not under consideration for other publications at the same time as they are under consideration for this publication. Submissions are to be made electronically wherever possible using either Microsoft® Word or .rtf format.

Contributions are also invited for future issues of the journal which will include: “Monstrous Beauty/ The Beauty of Monstrosity.” We also invite submission to our special features on Non-English Language Book Reviews. Please mark entries for these topics with their respective headings.

All accepted articles, artworks and prose pieces will receive a free electronic version of the journal.

Length Requirements:
Articles – 5,000 – 7,000 words.
Reflections, reports and responses – 1,000 – 3,000 words.
Book reviews – 500 – 4,000 words.

Other forms of contributions such as artworks, photographs, poetry, prose and short stories are welcome.

In the case of visual work and images we ask that all copyrights to publication are either obtained or owned by the author/artist Submission Information:

Send submissions via e-mail using the following Subject Line: ‘Journal: Contribution Type (article/review/…): Author Surname’

Submissions E-Mail Address: [email protected]

Submissions will be acknowledged within 48 hours of receipt.

Priory House
149B Wroslyn Road
Freeland, Oxfordshire OX29 8HR
United Kingdom

Tel: +44 (0)1993 882087
Fax: +44 (0)870 4601132
Email: [email protected]
Visit the website at http://monstersjournal.net/submissions/

H-net

{ 0 comments }

CFP: Supernatural

by Dr Davis on February 28, 2013

Articles are invited for an edited collection on issues related to any element of the CW television series Supernatural. The following categories suggest possibilities but are by no means exhaustive:
• Monstrosity
• Fandom and/or Reception
• Transformation and/or Adaptation
• Gender
• Race
• Desire and Sexuality
• Hybridity
• Vampires
• Shapeshifters
• Ghosts and Hauntings
• Demons and Angels
• Heroism
• Villainy
• Desire
• History and Memory
• Family
• Power
• Possession and/or Mind Control

What to Send:
300 – 500 word abstracts (or complete articles, if available) and CVs should be submitted by May 15, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by October 15, 2013.

Abstracts and final articles should be submitted to [email protected] Please include “Supernatural Submission” in your subject line.

Dr. Margo Collins

Email: [email protected]

from H-net

{ 0 comments }

CFP: “Vampire Diaries”

by Dr Davis on February 28, 2013

Halloween ClipartAnd another one…

Articles are invited for an edited collection on issues related to any element of The Vampire Diaries (either the original books or the CW’s television series). The following categories suggest possibilities but are by no means exhaustive:
• Monstrosity
• Fandom and/or Reception
• Transformation and/or Adaptation
• Gender
• Race
• Vampirism
• Shapeshifters
• Hybridity
• Witchcraft
• Heroism
• Villainy
• Adolescence
• Desire
• History
• Memory
• Domesticity
• Power
• Possession and/or Mind Control

What to Send:
300 – 500 word abstracts (or complete articles, if available) and CVs should be submitted by May 1, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by October 1, 2013.

Abstracts and final articles should be submitted to supernaturaltelev[email protected] Please include “Vampire Diaries Submission” in your subject line.

Dr. Margo Collins
Email: [email protected]

from H-net

{ 0 comments }

CFP: Female Superheroes

by Dr Davis on February 28, 2013

From “A” like Aquagirl to “Z” like Zatana. More than 200 female superheroes have been around for the last 70 years. It all started with Fletcher Hanks’s minor character Fantomah in the 1940s Fiction House’s Jungle Comics #2 and from that moment on the seal was broken. Female superhero after superhero made their appearances on paper as well as on screen. These female superheroes were simultaneously shaping and mirroring society; with the rise of second wave feminism some of these female characters changed as well. Suddenly, they could be more self-assured and more forceful; Marvel Girl transformed from an average superhero to the very powerful Phoenix. Later on, the years 2010/2011 witnessed a huge transformation in the graphic novels realms. Marvel, DC, and other publishers reinvented their superhero franchises; new alliances and relationships were formed, former friends became enemies and lovers who had been an item for decades were suddenly reassigned to other love interests. This new development in the graphic novel universes desperately calls for a close investigation.
Times have changed since the first comics became a mass medium in the 1920s. And while fans’ opinions differ greatly about the advantages and disadvantages of these reboots, it must be acknowledged that this will not only be a very exciting, but also eye-opening time for laymen and scholars alike. What kind of changes will their beloved characters have to endure? How will these new superheroes be presented? Are they still going to mimic society or are they trying to push society to the next level? How should these reinterpretations be assessed? What is gained and what is lost, not only for these superheroes, but also for popular culture?
While DC started its revamp in September 2011, Marvel started his in spring 2012. This volume would focus on the reinvention of the female superheroes, and therefore, it will be the first of its kind.

This publication aims to examine these heroines in literature, art, and other media to question issues concerning sexuality, gender, identity, social change and feminism. It will provide an interdisciplinary stage for the development of innovative and creative research and examine this vital and complex female protagonist in all her various manifestations and cultural meanings.

What to Send:

300 – 500 word abstracts (or complete articles, if available) and CVs should be submitted by June 1, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by December 1, 2013.

Abstracts and final articles should be submitted to: [email protected] receipt of the abstracts will be send within one week. In case you do not receive an email, please resend your proposal.

Nadine Farghaly
[email protected]
Email: [email protected]

from H-net

{ 1 comment }

CFP: Zombie Comedies

by Dr Davis on February 28, 2013

The recent re-animation of the zombie in popular culture has led to the creation of the “zombie romantic comedy,” or the zomromcom. Examples of zombie comedies can be found in books, movies, and on the internet. Articles are invited for an edited collection on issues related to any element of zombie comedies (romantic or otherwise). The following categories suggest possibilities for exploration but are by no means exhaustive:
• Love and zombies/the undead
• Love in the postapocalyptic world
• Romance and monstrosity
• Fandom and/or reception
• Transformation and/or adaptation in zombie comedies
• Gender
• Race
• Hybridity
• History and Memory
• Sex and the undead
• The literary zombie comedy
• The cinematic zombie comedy
• Zombie comedies and the internet

zombie-teacher from schooluniformfancydressWhat to Send: 300 – 500 word abstracts (or complete articles, if available) and CVs should be submitted by June 1, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by November 1, 2013.

Abstracts and final articles should be submitted to [email protected] Please include “ZomCom” in your subject line.

Dr. Margo Collins
Email: [email protected]

from H-net

{ 0 comments }

CFP: Walking Dead

by Dr Davis on February 28, 2013

Articles are invited for an edited collection on issues related to any element of The Walking Dead (either the original graphic novel or the AMC television series). The following categories are meant to suggest possibilities but are by no means exhaustive:
• Monstrosity
• Fandom and/or Reception
• Transformation and/or Adaptation
• Gender
• Race
• Hybridity
• Zombies
• Posthumanism
• Heroism
• Villainy
• History and Memory
• Family
• Power

What to Send:
300 – 500 word abstracts (or complete articles, if available) and CVs should be submitted by May 25, 2013. If an abstract is accepted for the collection, a full draft of the essay (5000 – 8000 words) will be required by October 25, 2013.

Abstracts and final articles should be submitted to [email protected] Please include “Walking Dead” in your subject line.

Dr. Margo Collins
Email: [email protected]

from H-net

{ 0 comments }