From the category archives:

Call for Papers

CFP: Writing in Post-Secondary Education

by Dr Davis on June 4, 2011

Compendium2: Writing, Teaching, and Learning in the University
full name / name of organization:
Dalhousie University

The editors of Compendium2: Writing, Teaching, and Learning in the University invite contributions for online publication in the spring of 2012.

Compendium2 publishes theoretical and practice-based essays that address writing development in post-secondary education. For the journal’s fifth issue, we are interested in hearing from a range of disciplines, and invite submissions that consider the integration of writing and critical thinking as well as those that describe more specific assignments and teaching techniques.

Recommended length is 3000-5000 words for articles and 500-2000 words for assignment and technique descriptions. Compendium2 accepts MLA, APA, and Chicago styles. Submissions received at www.compendium2.ca by 1 August 2011 will be considered for the next issue.

Found at the UPenn website.

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Poets on Adoption

by Dr Davis on May 10, 2011

“Adoption is complicated. Poetry is complicated.” These are the lead lines for a new literary blog curated by Eileen R. Tabios, Poets on Adoption. The site features works by “poets with adoption experiences” as they “mine the intersections of poetry and adoption,” sharing some of their experiences with adoption and how it may or may not affect their poems and/or poetics. Poets on Adoption will be updated over time as more poets send in their contributions.

The inaugural post includes works by Allison S. Moreno, Amanda Mason, CB Follett, Christina Pacosz, Craig Watson, Dana Collins, Dana R. LePage, Dee Thompson, Eileen R. Tabios, Giavanna Munafo, Jan VanStavern, Jennifer Kwon Dobbs, Jim Benz, Joy Katz, Judith Roitman, Laura McCullough, Lee Herrick, Marcella Durand, Mary Anne Cohen, Michael D Snediker, Michele Leavitt, Natalie Knight, Ned Balbo, Nick Carbo, Phillippa Yaa de Villiers, Rosemary Starace, Samantha Franklin, Sharon Mesmer, and Susan M. Schultz.

Poets on Adoption is “always looking for more POETS WITH ADOPTION EXPERIENCE to participate in this project.” Visit the site for more information.

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CFP: Chapters on Creative Writing Pedagogies

by Dr Davis on April 25, 2011

An invaluable resource to graduate students and instructors of composition, Tate, Rupiper, and Schick’s A Guide to Composition Pedagogies, points to the critical need in Creative Writing Studies for an equally in-depth discussion of pedagogy.

That’s why we seek essays for our proposed edited collection with the working title of A Guide to Creative Writing Pedagogies which explore current and future creative writing instruction through the lens of a single writing pedagogy.

We are interested in essays which engage readers by compiling existent scholarship on a particular creative writing pedagogy and discuss personal experience with the pedagogy, as well as suggesting possible future extensions of the pedagogy inside Creative Writing Studies. Essays could utilize scholarship from both Composition and Creative Writing Studies. We recognize that the field of Creative Writing Studies has a long way to go before it is as pedagogically honed as Composition Studies, and we hope that this collection will help instructors and graduate students advance creative writing in the twenty-first century. In a nutshell, essays should explore what the field of creative writing would look like when shaped and steered by a particular pedagogy, mentioning theoretical and classroom implications.

We have commitments from high-profile scholars to write chapters on the following topics: process pedagogy, rhetorical pedagogy, collaborative pedagogy, international pedagogies, critical pedagogy, WAC pedagogy, and commercial pedagogy.

We still seek chapter proposals on the following topics: expressivist pedagogy, feminist pedagogy, cultural studies and creative writing, community-service pedagogy, basic writing pedagogy, writing center pedagogy, holistic pedagogy, and technology and the teaching of creative writing. Note that we are also open to consider chapters not developed in Composition Studies and are instead ones designed entirely for creative writing.

Submit a proposal of approximately 50-150 words.

Important Deadlines:
June 15, 2011: Proposal Submission Deadline
July 15, 2011: Notification about Proposal at which time we will submit the proposal to a publisher.
One Month After Book Acceptance: Draft of Full Chapter

Inquiries and submissions should be sent to Tom C. Hunley at tom.hunley@wku.edu and Alexandria Peary at pearya@wit.edu.

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CFP Funny

by Dr Davis on January 31, 2011

journal-of-universal-rejectionJournal of Universal Rejection is accurately named.

The founding principle of the Journal of Universal Rejection (JofUR) is rejection. Universal rejection. That is to say, all submissions, regardless of quality, will be rejected. Despite that apparent drawback, here are a number of reasons you may choose to submit to the JofUR:

You can send your manuscript here without suffering waves of anxiety regarding the eventual fate of your submission. You know with 100% certainty that it will not be accepted for publication.
There are no page-fees.
You may claim to have submitted to the most prestigious journal (judged by acceptance rate).

Hilarious!

Go read it all.

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CFP: SCMLA Technical Writing

by Dr Davis on January 30, 2011

tech-man-on-computerSCMLA Technical Writing session
The topic is open. We are, however, particularly interested in submissions regarding the integration of new media into the technical writing classroom.

Newer scholars are welcome to apply.

SCMLA will meet in Hot Springs, Arkansas from October 27 to 29, 2011.

Please email your 500-word abstract to:
Dr. Suanna H. Davis
suanna.davis@hccs.edu

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CFP: Digital Humanities

by Dr Davis on January 26, 2011

In light of the blog carnival posted about yesterday, I thought I would post this CFP.

Digital Humanities Quarterly Special Issue: The Literary

This special issue of DHQ invites essays that consider the study of literature and the category of the literary to be an essential part of the digital humanities. We welcome essays that consider how digital technologies affect our understanding of the literary— its aesthetics, its history, its production and dissemination processes, and also the traditional practices we use to critically analyze it. We also seek critical reflections on the relationships between traditional literary hermeneutics and larger-scale humanities computing projects. What is the relationship between literary study and the digital humanities, and what should it be? We welcome essays that approach this topic from a wide range of critical perspectives and that focus on diverse objects of study from antiquity to the present as well as born-digital forms.

Please submit an abstract of no more than 1,000 words and a short CV to Jessica Pressman and Lisa Swanstrom at by Feb. 1, 2011. We will reply by March 1, 2011 and request that full-length papers of no more than 9,000 words be submitted by *June 15, 2011*.

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Poetry Contest

by Dr Davis on December 4, 2010

claires-cover-wholeFour Way Books has a poetry contest that goes from January 1 to March 31, 2011.

2010-2011 Submissions The 2010 June 30 deadline for submitting poetry and short fiction has passed. Occasionally we read outside of the contest (January 1-March 31) and June 1-30 deadlines. Before submitting outside of these time-lines, please query us first at editors@fourwaybooks.com. If we can accommodate you, we will.

In 2011, our formal reading periods are as follows

January 1-March 31, 2011
The Four Way Books Levis Poetry Prize
Claudia Rankine, judge
Open to all poets, regardless of publication history
Publication of a book-length collection of poetry (approximately 48 pages of text to 80, recommended)
$1000.00 honorarium
Submissions guidelines will be posted on this site at the end of December.

Four Way Books is publishing Claire Kageyama-Ramakrishnan’s book Bear, Diamonds and Crane this spring.

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CFP: The Journal of Dracula Studies

by Dr Davis on December 2, 2010

vampire-eyes-sm-from-theunexplainedmysteriesThe Journal of Dracula Studies

We invite manuscripts of scholarly articles (4000-6000 words) on any of the following: Bram Stoker, the novel Dracula, the historical Dracula, the vampire in folklore, fiction, film, popular culture, and related topics.

Submissions should be sent electronically (as an e-mail attachment in .doc or .rtf). Please indicate the title of your submission in the subject line of your e-mail.

Please follow the 2009 updated MLA style.

Contributors are responsible for obtaining any necessary permissions and ensuring observance of copyright.

Manuscripts will be peer-reviewed independently by at least two scholars in the field.
Copyright for published articles remains with the author.

Submissions must be received no later than May 1, 2011, in order to be considered for the 2011 issue.

Send electronic submissions to journalofdraculastudies@kutztown.edu

Contact: Dr. Curt Herr or Dr. Anne DeLong
contact email:
journalofdraculastudies@kutztown.edu

The picture is from theunexplainedmysteries.com.

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CFP: Computers & Writing 2011

by Dr Davis on November 16, 2010

colored-laptopThe proposal submission deadline has been extended to November 22, 2010.

Writing is in motion as never before: students text one another on the go and around the clock; colleagues and friends use wikis to brainstorm and to co-author important documents; choreographers and filmmakers use motion-capture technology to “write down” movement and gesture; and poets invent new multimedia poetic forms. The places we write, and the features of the writing we value, are today more varied – and often more contested – than ever before.

One especially prominent dimension of these changes is a reconfiguration of public and private space. A single ordinary writing activity today may traverse any number of borders. Classrooms connect with non-academic audiences via public electronic portfolios and blogs; private companies partner with public universities to digitize library holdings; personal emails and business memos are archived in the NCTE National Gallery of Writing; faculty share course materials with students on other continents.

We welcome proposals in a variety of formats that interpret the conference themes from multiple perspectives. Regardless of format (see Session Types below), each proposal should provide the following:

250 words (up to 500 words total for panels or roundtables) or a 2-minute video or other multimedia piece describing or demonstrating in detail what will happen during the session,
specifics on how it will facilitate interaction and/or dialogue, information about what technologies it will employ to do so, and one or more keywords to tag proposals and sessions.

In dialogue with the ongoing professional conversation about making conferences more accessible, we are asking participants to submit full versions or detailed outlines of their papers or presentations, and any peripheral materials, by Wednesday, May 11, a week in advance, so that they may be posted to the conference website. By providing a paper or an outline of talking points and a statement of the main argument, and/or written descriptions or transcripts of visual images or video, participants will make the conference more accessible to all. Some collateral benefits of this practice will be, first, to enable participants to read/view materials in advance and engage in fuller dialogue during sessions, and second, to create a living document that will allow conference conversations to continue.

In the interest of including as many people as possible on the program, we ask that you submit a proposal for only one speaking role. Speakers should plan on making use of relevant technology, rather than simply reading papers.

SESSION TYPES

Conversation Starters: 5-minute individual presentations facilitate vigorous and lively dialogue among session attendees by offering (i) a discussion point, (ii) evidence for the point, and (iii) two or three questions to initiate conversation. Conversation Starters can be presented in a range of formats, e.g., orally, through image, audio, video, or a combination of these.

New Media Poster/Installation: “Posters” display new media research and pedagogy in their natural habitat – on screen (video, slidecast, game, interactive website, etc.), or using other appropriate equipment. Where possible, new media posters and installations will be thematically grouped in sessions to enable broader discussion.

New Media Performance/Presentation: 1-to-75-minute new media performances and presentations use digital tools – whether audio, visual, or multimedia – to create art in any form (animation, dance, poetry, music, video, drama, etc.).

Mini-workshops: 75-minute sessions provide a highly interactive space for engaging participants in novel curricular approaches, development of action plans for addressing a pressing instructional dilemma, learning a new technological skill, or innovative technological developments in the field.

Mentoring Workshops: These 75-minute interactive sessions are designed to extend the work of the Graduate Research Network throughout the conference, or to offer other opportunities for mentoring and professional development to new participants in the field. Proposals should include a clear explanation of activities. Registration for accepted sessions will be available prior to the conference.

Half-day or Full-day Workshops: 3- or 6-hour workshops offer opportunities for engaged and in-depth introductions to new developments or current issues. Proposals should include a schedule and clear explanation of activities.

Panels or Roundtables: 75-minute sessions consist of three to four 10- to 15-minute presentations or five to seven 5-minute conversation starters linked around a single topic. At least 20 minutes should be allocated for discussion. Proposals should include a brief overview of the topic and of each speaker’s role. Priority will be given to proposals that foreground interaction or exchange among panelists and/or audience.

Individual Presentations in Search of a Panel: 15-minute presentations will be combined with other individual submissions to create a coherent panel. Presenters will be expected to contact one another in advance of the conference to plan dialogue and exchange among panelists and/or with the audience.

To submit a proposal, please complete the form here.

Please send any questions or comments to the conference organizers–Anne Gere, Naomi Silver, and Shelley Manis–at sweetlandcandw2011@umich.edu.

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Amazingly Quick Turnaround

by Dr Davis on October 30, 2010

Popular Culture Association/American Culture Association and the regional group, Southwest Texas Popular Culture Association/American Culture Association, have calls for papers that come out in September or early October. Their deadlines are November 30 and December 15, depending on which one you apply to.

However, what some people do not realize, the two conferences actually give you an acceptance or a rejection within two weeks. So if you apply October 1, you will hear back by October 15. That means that if you are rejected, you can apply to a different session.

This year I’ve been really busy with my new job, but as I am at SCMLA I had some down time in the evening. And so I applied to PCA. I received my acceptance today.

That is an amazingly quick turnaround. It is also quite encouraging to get an acceptance!

So, if you have something you wanted to present that is related to one of the hundreds of categories for this conference, now is the time to apply. Go for it.

Potential subject areas include:
academics
advertising
automobile culture
baby-boomer culture
cemeteries
circuses
disasters and culture
fat studies
gender studies
gothic
horror

And I skipped 80% of the sessions.

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